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| Hinterland |
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"Hinterland has much in common with the complex portrait, Memento Mori. It confirms the general view that Macri is a consistent artist with a coherent, ever- widening portrayal of character and identity residing within the corporate restrictions or “clothing” of our everyday world. Macri uses his own face to create myth as much as he shifts identities, elicits sexual desires, and manipulates forms of decay and rebirth."
~ Kenneth Radu (Serpents in my Dreams: Adamo Macri’s Snake Portraits)
"Admirers of this artist understand his fascination with organic life at the cellular level, not only living cells but also inorganic activity. A cursory look at his online portfolio will reveal brilliant and often startling images of the interaction between human and plant, a manipulation of organic matter as small as seeds to stunning effect, as well as the microscopic activity of chemical reactions. A study of the Exuviae and Epizoochory series, or a specific portrait like Hinterland, reveals Macri’s deep affiliation with the grace, paradoxes and multiplicity of natural phenomena."
~ Kenneth Radu (Adamo Macri’s Triffid and I)
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"So very beautiful it is as though you captured the very spirit of the coming winter. The whole aura of the piece shows me autumns movement into winter. It truly inspires."
~ Michael K Waterman (Multi-media artist, New York, Savannah Georgia)
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“This character needs to be as famous as PENNYWISE and MICHAEL MYERS that’s how fabulous it is!”
~ Alex Monty Canawati (Filmmaker 20th Century Studios)
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"Blue velvet veneer with plasticine glazed lips staring at the days to come while embracing the chill of the morning light."
~ John Felice Ceprano (Ottawa rock sculptor, painter)
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“A faun-like nature spirit. A faun with aquatic tendencies, obviously.”
~ Denis Gaubert (Manager at The Real Colonel, Louisiana State University Law Center)
Hinterland, 2016
Photography: Chromogenic C-print
89 x 81 cm
51 x 46 cm
Overall: 62 x 57 x 4 cm
Edition: 4
