Adamo Macri
Carnevale

Carnevale, 2022
Photography: Chromogenic C-print
36 x 36 cm

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“Macri’s Carnevale, therefore, not only reminds us of the elaborate charade in Venice, it also points to the role of carnival itself: its potential to be subversive, satirical and subtly political. A release valve from the pressures of the day and the horrors of the news, a carnival invites and permits just about anything, especially if one is disguised. In the spirit of carnival, we can dress richly, preposterously, pretentiously, and call attention to the absurdity of political pretensions, mock and violate social norms, and thumb our nose at authority and repressive regimes.”
~ Kenneth Radu (Veiled Illusions: New Portraits by Adamo Macri)

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"Medusa met Rasputin and created Carnevale.. love this one."
~ John Felice Ceprano (Ottawa rock sculptor, painter)

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"Fantastic and thrilling. Well suited for the Carnaval de la Vie, in the wildest sense! It has a such an air of mystery and richness. I like the color-play of the jacket and face mask.. so intriguing! It brings to mind for me a Renaissance painting, a Masquerade and Steampunk all-in-one."
~ Theresa Pope Church (American scientist)

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"The expansion of the Baroque movement into Rococo, an exceptionally decorative and dramatic style, began in France in the early 18th century. It soon reached the rest of Europe, especially northern Italy, and influenced properties of architecture, visual arts, and interior design."
~ Adamo Macri