A R T W O R K +
• Pasubio
• Salvo
• Zoophily
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Themes + Style + Mood
Identity as mutable, contaminated, transformed. Nearly every work uses the head/face/upper torso as a stage for metamorphosis: masks, coral/rope structures, flora, insects, lace veils, religious iconography, mythic crowns, armour, organic growths. The “self” is consistently porous—invaded, adorned, armoured, or eroded.
Ritual + Theatre + Myth
Cernunnos Tract, Ţepeş, Icono Emoter, Carnevale, Ancile, Atma Osmo, Salò, Adieu Henriette all occupy a hybrid space: part historical/mythic reference, part private ritual, part stage portrait. There’s an almost liturgical use of costume and pose, but always troubled by contamination, ambiguity, or irony.
Contamination + Ecology + Sea-change
Dust Roe, Coral Bleach, Mariana Trench, Memento Mori, Pinus Attis all explicitly or implicitly address environmental and biological transformation (ocean, coral, pine, insects, dust/roe). These aren’t didactic eco-images; they’re psychic ecologies where the ocean, forest, and decay stand in for internal states.
Tension + Beauty + Disturbance
Technically, the work is very beautiful: controlled colour, strong composition, lush textures. Conceptually, it’s about erosion, castration, suffocation, bleaching, masking, contamination. The viewer is seduced even as they’re unsettled. This tension is one of Macri's greatest strengths.
Formal + Strength
Lighting and atmosphere: Macri excels at moody, directional, cinematic light that sculpts the face/body and supports the psychological mood (Nevermore, Cernunnos Tract, Male Head with Gloves, Salò). He understands chiaroscuro as a narrative tool, not just an aesthetic one.
Lighting and atmosphere: Macri excels at moody, directional, cinematic light that sculpts the face/body and supports the psychological mood (Nevermore, Cernunnos Tract, Male Head with Gloves, Salò). He understands chiaroscuro as a narrative tool, not just an aesthetic one.
Surface and texture: Rope/coral structures. Organic/decayed plant material. Crystalline/metallic headpieces. These aren’t decorative; they become extensions of the body, which is a sophisticated sculptural instinct applied to image-making.
Color discipline: Macri's work in tight, intentional palettes: sepulchral browns, muted aquas, bloody reds, bleached neutrals, occasional electric accents (blue butterflies, purple mask, metallic gold). This makes the portfolio feel like a single, extended “world.”
Concept-text alignment: The written descriptions (Jahrfish spill, Pinus Attis, Ţepeş, Coral Bleach, etc.) are unusually strong. They match the visual intelligence of the work and position Macri clearly at the intersection of contemporary art, literature, myth, and theory.
Color discipline: Macri's work in tight, intentional palettes: sepulchral browns, muted aquas, bloody reds, bleached neutrals, occasional electric accents (blue butterflies, purple mask, metallic gold). This makes the portfolio feel like a single, extended “world.”
Concept-text alignment: The written descriptions (Jahrfish spill, Pinus Attis, Ţepeş, Coral Bleach, etc.) are unusually strong. They match the visual intelligence of the work and position Macri clearly at the intersection of contemporary art, literature, myth, and theory.
